{"version":"1.0","provider_name":"Todo Madera","provider_url":"https:\/\/maderamen.com.ar\/todo-madera","author_name":"Maderamen","author_url":"https:\/\/maderamen.com.ar\/todo-madera\/author\/maderameneditor\/","title":"Cuba: la madera en las construcciones del per\u00edodo colonial","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"OasQ1FYmff\"><a href=\"https:\/\/maderamen.com.ar\/todo-madera\/2018\/04\/16\/cuba-la-madera-construcciones-colonial\/\">Cuba: la madera en las construcciones del per\u00edodo colonial en Hispanoam\u00e9rica<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/maderamen.com.ar\/todo-madera\/2018\/04\/16\/cuba-la-madera-construcciones-colonial\/embed\/#?secret=OasQ1FYmff\" width=\"600\" height=\"338\" title=\"\u00abCuba: la madera en las construcciones del per\u00edodo colonial en Hispanoam\u00e9rica\u00bb \u2014 Todo Madera\" data-secret=\"OasQ1FYmff\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script type=\"text\/javascript\">\n\/* <![CDATA[ *\/\n\/*! This file is auto-generated *\/\n!function(d,l){\"use strict\";l.querySelector&&d.addEventListener&&\"undefined\"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!\/[^a-zA-Z0-9]\/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),o=l.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),c=new RegExp(\"^https?:$\",\"i\"),i=0;i<o.length;i++)o[i].style.display=\"none\";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute(\"style\"),\"height\"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):\"link\"===t.message&&(r=new URL(s.getAttribute(\"src\")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener(\"message\",d.wp.receiveEmbedMessage,!1),l.addEventListener(\"DOMContentLoaded\",function(){for(var e,t,s=l.querySelectorAll(\"iframe.wp-embedded-content\"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute(\"data-secret\"))||(t=Math.random().toString(36).substring(2,12),e.src+=\"#?secret=\"+t,e.setAttribute(\"data-secret\",t)),e.contentWindow.postMessage({message:\"ready\",secret:t},\"*\")},!1)))}(window,document);\n\/\/# sourceURL=https:\/\/maderamen.com.ar\/todo-madera\/wp-includes\/js\/wp-embed.min.js\n\/* ]]> *\/\n<\/script>\n","thumbnail_url":"https:\/\/maderamen.com.ar\/todo-madera\/wp-content\/uploads\/sites\/3\/2018\/04\/galeria-arte-universal-benito-ortiz-trinidad.jpg","thumbnail_width":950,"thumbnail_height":635,"description":"D&F Muebles presenta a continuaci\u00f3n fragmentos de un extenso art\u00edculo period\u00edstico escrito en la revista espa\u00f1ola Aitim por el arquitecto cubano Ram\u00f3n Cotarelo Crego. El profesional cubano se gradu\u00f3 en 1975 en la Universidad de La Habana y lleva m\u00e1s de 40 a\u00f1os dedicado al estudio y rescate del patrimonio cultural."}